Living These Days

Author: Mary Patricia Trainor

  • Connections

    A house that’s not a home—and a rock too big to throw

    By Mary Patricia Trainor 

    You know the old saying, “What you see is what you get?”

    As with similar old sayings, this one contains a perfect truth. And a big flaw.

    In my podcast today (link below), I take a look at the Redfield Canyon cliff house.

    Its stone facade continues to catch hikers off guard, coming across as what looks like a house built into a Stone Mountain.

    But that’s where “what you see is what you get” misleads us.

    There is no house per se, just that false front, with entry into an area. Which brings to mind another old saying: “There’s more to that than meets the eye.”

    Here are just a couple of interesting points about Arizona’s Redfield House:

    From the canyon it reads like a tiny, weathered stone building pressed up against the cliff — windows, an arched front door, even a low stone patio wall — but most of the living space was actually under the rock overhang rather than as a free standing house.

    It is reminiscent of Giant Rock in Southern California’s Mojave Desert.

     It is North America’s largest free standing boulder. Some believe it to be the largest such boulder in the world.

    A significant difference between the Arizona Cliff House and Giant Rock is that someone lived 24-7 at the latter.

    Frank Critzer, having observed the burrowing talents of tortoises, himself burrowed under the large rock in the 1930s.

    He realized the tortoises knew something else about burrowing below. The thermal dynamics make desert living doable 

    It was within the confines of his underground home that Critzer died in 1942 in a dynamite explosion he instigated while wanted by law enforcement.

    Back to the Redfield House in Arizona, the stonework and the round window give it a deliberately “made” façade feel, which is why people sometimes think of it as a full-blown residence.

    How did it come to be? Accounts vary. Local writeups and explorers say the little cliff house dates to the 1930s and was built as a private retreat in Redfield Canyon (Galiuro Mountains region) — some name a cowboy/building couple (Chick and Harriet Logan), others attach the name Hope Jones, or tell of a writer who returned from England to build a secluded “mansion” in the canyon.

    In short: It was probably never meant as a conventional year-round home for a big family, more a romantic/solitary retreat built into a cave-like overhang. Or even to be the novelty it is today.

    Over time it’s been vandalized and stripped in places; photos and videos from hikers show broken windows, graffiti, and evidence of people exploring the rooms — which only adds to the mystery and lore.

    The question of “why?” lingers nearly a century later. Here are some thoughts:

    Practically speaking, attaching a stone façade to the cave opening creates a sheltered, weatherproof living face while using the cliff as a roof/thermal mass. It reduces materials you have to bring and gives a clear “front” to the space.

    Also, a faux-house face makes the place feel civilized and photogenic — a deliberate statement, not merely a survival shelter. That mix of function plus image is why it looks like a set piece rather than a simple cabin.

    Thus, the attention given to it just for its looks. 

    Whereas Giant Rock—other than looking like a very big boulder—hides a multitude of stories and myths about the man who lived there for a decade in the last century.

    View podcast (podcast link).

  • Connections

    The Shadow Knows

    Who knows what evil lurks in the hearts of men? The Shadow knows.

    Think of them as a forerunner to podcasts. Before television. Long before we had easy access to a variety of entertainment options. Definitely before podcasts. Before AirPods. Way back then, there was radio.

    And in those glory days, people gathered round to listen to dramas, comedy, music, and so on.

    One of the long-running dramatic radio programs centered around Lamont Cranston as the crime-fighting Shadow, when masked. Unmasked, he was simply another wealthy playboy.

    The serial show began in the early 1930s, and lasted until 1954. In the radio hit, the Shadow worked for justice and right outcomes. Fairness. Truth.

    In the same chronology, but otherwise unrelated, another understanding of Shadow was emerging.

    Swiss psychiatrist Carl Jung developed the way we think about the inner parts of ourselves that limit and sabotage our relationships. He called it our Shadow. An we all have one.

    That’s right, we all have a Shadow side. And, yes, it limits us. Denial doesn’t work for this Shadow. The only way to “win,” if you will, is to meet it head on, and begin what can become a life’s commitment to diluting its negative effects.

    0n the Wonder Files podcast today, my guest is the Rev’d Dr Richard Mallory, who I invited to share about the ManKind Project. Encountering and understanding our Shadow is integral to its work. Check it out here.

  • Connections

    So, what’s the big deal with donkeys?

    Did you know that there is a World Donkey Day? It’s on May 8, and I’m certain there will be much hoopla when that date rolls around again.

    Meanwhile, donkey lovers like me don’t have to wait that long to celebrate these endearing animals.

    If you live near Tucson, Arizona, you’ll soon have a chance to appreciate them up close and personal.

    • 1-3 pm Sunday, December 14
    • Brandi Fenton Memorial Park
    • Free admission.

    And, yes, donkeys will be there to meet and greet.

    We can thank the Human-Animal Connection, and Genie Joseph, its executive director, for this special opportunity. See you there!

    Please see my podcast for more about the donkey and its many charming ways. You also will want to hear a story about a donkey named Lumen.

  • CONNECTIONS

    Do you have the ‘gene’

    The love of animals.

    A friend of mine speaks of the soul-deep, hard-wired love of animals in terms of genetics. “He’s got the gene.” Or, “She doesn’t have the gene.”

    I have the gene (although I reckon there’s no actual gene, but such thinking helps explain the otherwise inexplicable passion for a full range of critters.

    People who like animals, are kindly toward them, but can take them or leave them? They don’t have the gene.

    Awareness of my “gene” started a long time ago.

    When I was a child, I nearly wore the cover off of an over-sized book titled, “Who’s Who in the Zoo,” with a drawing of a chimpanzee gymnastically draped from the black lettering of the title. All of this on an orange-colored hard cover.

    I now have custody of this book again, acquired from a private book seller. It’s like finding an old friend of whom you’ve lost track. I shall not let this old friend get away from me again!

    For my podcast today (link below) I read the Introduction of a relatively new animal book that almost certainly will occupy prominent space in my home. 

    “An Immense World,” written by Ed Yong, is available in regular, adult, edition, and also in a Young Readers Edition. It is the latter from which I read, for several reasons. A larger font size, plus there is more space between lines that increases readability. Colorful illustrations and highlighted glossary terms add to the fun feel of this book. But make no mistake, there’s plenty of serious and fascinating science to hold your attention.

    In closing, I offer the following poem, author unknown:

    The Quiet Love of Animals 

    They come to us softly,
    on padded paws or beating wings—
    no fanfare, no need for explanations.
    They look at us
    with the kind of knowing that asks for nothing
    but the truth of who we are.
    A dog’s tail writes joy in the air,
    a cat folds itself
    into the warm parentheses of our arms,
    a horse leans its whole weight
    against our loneliness
    just to steady us.

    Birdsong spills into morning
    like a promise,
    and even the shy wild ones—
    the deer at the treeline,
    the fox with the lantern eyes—
    remind us that the world
     still believes in gentleness.

    To love an animal
    is to learn a quieter language,
    to speak in kindness,
    to listen with hands and heart.
    And in their presence
    we remember:

    We are not alone here.
    The earth is shared,
    alive,
      breathing,
      and full of love
     far older and wiser
    than our own.

    Podcast link: An Immense World

  • Public Square

    You never know what the day will bring…

    A friend of mine often ends one of our discussions with the phrase above.

    You never know what the day will bring. It’s similar to punctuation used as a bow tied around a gift.

    While a death was its original context for my friend and me, it serves well in many other circumstances.

    It came to mind today as I pondered the life story of Grandma Moses, who first applied paint to canvas in her seventies. A link below provides a brief look at her life, which ended at age 101.

    One hundred one. Just think about that for a moment. The day she picked up a brush, I expect many people were skeptical. Hopefully they kept that negative thought to themselves. Many, I am sure, smiled politely, perhaps daring to offer the ofttimes dismissive, “Well,bless her heart.”

    Bless her heart, indeed. At her death, she had generated more than 2,000 paintings. One of the favorites, The Old Checkered House, donned the cover of Time magazine on December 28, 1953.

    If you like art. If you’re certain you aren’t good at it. If you’re the one who says you don’t have an artistic bone in your body. Well, here several things to consider:

    You never know what the day will bring.

    Grandma Moses began her art career at age 78.

    Listen to today’s podcast, featuring Tucson artist Jeanine Colini, who loves to help adults uncover the artist within.

    Jeanine Colini Podcast

  • Public Square

    Bringing the outdoors in
    Ernesto Rodriguez had a brilliant idea. Actually, several of them.
    Combining his various vocations, he proposed the brilliant idea to school folks of bringing the outdoors inside.
    (Ernie is featured in The Wonder Files podcast today. Link below.)
    From his work as a school counselor, as a photographer, and as a park ranger, Ernie proposed the idea of placing ceiling murals of outdoor spaces. It has worked to bring a type of calm into classrooms.
    In another setting—a youth detention program with no windows—notable evidence exists to verify improved behaviors. And emotional states.
    It’s a well known concept, a walk in the woods is calming.
    Now, with Ernie’s leadership, the calming effects have moved indoors.
    ernie@ernestorodriguez.com
    natureintheclassoom.org

    Listing to the Podcast

    https://www.podomatic.com/podcasts/wonderfiles01podcast/episodes/2025-11-18T12_15_26-08_00

  • Public Square

    “Whatever you do, don’t let them play Amazing Grace…”
    Deaths, including our own, are to be expected. We who have a few years on us have
    lost grandparents, parents, siblings, friends. There are more losses to come, including our own.
    There’s an old country song that captures the essence pf our views about death: Everybody wants to go to heaven, but nobody wants to die. Dying is an unavoidable journey each of us will make. But we balk at the idea of exploring its parameters and, I
    believe, that we miss some of the richest conversations we might otherwise have.
    As a neophyte reporter on a small daily newspaper in California, I was assigned to write obituaries. It always struck me odd that the editor assigned obituaries to the rank beginner. Like me. 
    Insofar as the obituary often contains the last words about someone’s life, being assigned to write them always felt like a privilege. After all, obituaries and letters to the editor were always vying for first- and second-place in readership popularity. For both readership and respect, I took special care to honor the decedent.
    Some people live big lives, others barely stir a ripple. Even so, I believe every human being deserves a proper send-off, with words of love, and respect, and honor.
    It’s my opinion that we don’t talk enough about such things. When ignored, death and its attendant responsibilities pile on to the grief loved ones are feeling—and we can’t remember whether Mama said to play Amazing Grace at her service—or, “whatever you do, don’t let them play Amazing Grace. That old song needs a rest.”
    Too often we put off talking about our wishes, or their wishes. “Too gloomy,” someone says. Someone else diverts attention with a “please pass the potatoes.” And good-natured chatter again fills the room. No talk of death today.
    But I believe death is the greatest curiosity of life. If you agree, I think today’s podcast may be helpful to you. I pray that you will listen to Rosemary Thornton’s experience of “temporary death.” Here’s the YouTube link.

  • Sacred Text

    Keep an eye out

    By Mary Patricia Trainor

    In various ways throughout his teachings, Jesus talks about the value of being awake.
    Staying alert, being watchful.
    With my natural need to worry, my first reaction to such warnings is to be cautious. Look out for the bad guy. The thief. The one who intends harm.
    As I’ve gotten old, it becomes clearer each passing hour that I am to be watchful for the presence of God, of goodness, of direction for my life. The bad stuff, sure, it’s there. I don’t want to step off a curb, and into the path of a car. But such reality feeds my
    cautious nature a little too much, I believe.
    Instead, I’m trying to focus more on what God wants from my life, the help that is needed in this hornet’s nest that is our current life.
    And then I meet Rosalva Parada, featured on this week’s podcast, The Wonder Files
    (link below.)
    There, you will see and hear a person who is always open to God’s direction for her life in the moment.
    She listens and watches intensely, incorporating unusual dreams or unlikely events into her plans for serving God. And  she is open to where these clues lead her.

    Youtube Podcast link

  • Public Square

    Note to reader: The following is offered to supplement The Wonder Files podcast today that touches upon the significance of Halloween, All Saints Day, All Souls Day, and Dia de Los Muertos. See link at the end. MPT

    In So Many Words
    The following was published in Columban Mission Magazine, written by Sr. Rebecca Conlon


    A “thin place,” according to the late Irish philosopher and poet John O’Donohue, is about a place or time where heaven and earth meet and we have access to “light” or the beyond in a different way. It is a threshold experience where time and eternity embrace.


    John O’Donohue was steeped in the Celtic tradition and opened up for us the Celtic world, inviting us to enter and take note of times and places where the “veil” between the seen and unseen world is thinner than at other times. During this liminal time, we
    experience a greater sense of sacredness or presence of the Other in a deeper way as the distance between heaven and earth, darkness and light, past and future becomes
    porous momentarily.


    November is such a liminal time within our liturgical calendar. The mood of this season is set as nature seemingly rests and sleeps having shed all its autumnal beauty, and the sky sports a bleak dark grey tone in the northern hemisphere. It captures the Celtic idea of November as a “thin place.” The month of November/Samhain in the Celtic calendar is thought to have represented the Celtic New Year.


    A “thin place” according to the late Irish philosopher and poet John O’Donohue is about a place or time where heaven and earth meet and we have access to “light” or the beyond in a different way.
    All Saints, All Souls and Halloween invite us beyond our present reality into reaching out in love as we remember those who have gone before us whether saint or sinner. In some countries on All Souls Day, transport is hired to take people to the places where
    the remains of their loved ones rest, food is shared as the family gathers, with some offered especially for the dead. Prayers are said for the repose of their souls, Masses are offered and it becomes a family outing and a celebration of life.


    The liturgy of these days tells us that life is changed not ended, the “thin place” becomes a place of bonding in love. Our loved ones have “only gone to God and God is very near.”

    The Bible too speaks of thin places. We see where Moses (Exodus 3) met God in the burning bush and God spoke, and also Elijah (1Kings 19) met God on top of a mountain and heard Him in the still small voice. One needs to be truly present to listen and hear. Jesus had similar experiences, for example in His Transfiguration we see where the veil was lifted temporarily and the voice of the Father spoke saying: “This is my Beloved Son, listen to Him.” The ultimate thin place for Jesus was Calvary when the veil was torn, and He surrendered His all for our sake.


    Thin places are not primarily geographical but a way of being present and listening deeply which enables the veil to fall even for a moment, and we experience a touch of heaven. Those who have gone before us have made it beyond the veil and may the
    Lord accompany us so that we too may participate in “what no one has ever seen, no one has ever heard, no one has ever. imagined what God has prepared for those who love Him.” (1 Cor. 2:9).
    LINK TO PODCAST HERE

  • Public Square

    Watchlist: Why watch Orwell: 2 + 2 = 5
    George Orwell wrote the book 1984 in 1948, and it was published the following year. Genre-wise, it’s been branded as science fiction (earlier in its life), dystopian future fiction, political fiction, social science fiction.


    Sitting here in 2025—some seventy-seven years after publishing—I venture to say that it has never been more relevant a story than now.


    And the new documentary presents that story well. (There’s a link to the trailer at the end of this article.)


    Okay, so documentaries aren’t always the first thing you reach for on movie night. But trust me: Raoul Peck’s Orwell: 2 + 2 = 5 is different. It’s smart, stylish, and a little bit chilling in the best way. Here’s why you’ll want to check it out:

    1. It Feels Weirdly Now
      This isn’t dusty history. Orwell’s worries about truth, lies, and power line up almost too well with the world we’re living in. You’ll catch yourself thinking, “Wait… are we already in 1984?”
    2. It Actually Looks Cool
      No endless talking heads here. The movie mixes Orwell’s own words (voiced by Damian Lewis) with sharp visuals, real-world clips, and a moody vibe that keeps you hooked.
    3. It Leaves You Thinking
      This isn’t popcorn entertainment, but it is the kind of film that makes you want to text a friend afterward and say, “Wow, we need to talk about this.”

    ⭐ Bottom line: If you’re in the mood for something thought-provoking and a little haunting, Orwell: 2 + 2 = 5 is 100% worth the watch.
    Watch the trailer here:
    https://www.youtube.com/watch?v=FGMEOdPxpWs